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Irregular verb (past tense) remake

Infinitive

remake





   
   


Conjugation:

Infinitive

Past simple

Past participle

make

[meɪk]

made

[meɪd]

made

[meɪd]

Conjugation of the irregular verb [remake]

Conjugation is the creation of derived forms of a verb from its principal parts by inflection (alteration of form according to rules of grammar). For instance, the verb "break" can be conjugated to form the words break, breaks, broke, broken and breaking.

The term conjugation is applied only to the inflection of verbs, and not of other parts of speech (inflection of nouns and adjectives is known as declension). Also it is often restricted to denoting the formation of finite forms of a verb – these may be referred to as conjugated forms, as opposed to non-finite forms, such as the infinitive or gerund, which tend not to be marked for most of the grammatical categories.

Conjugation is also the traditional name for a group of verbs that share a similar conjugation pattern in a particular language (a verb class). A verb that does not follow all of the standard conjugation patterns of the language is said to be an {###} {####} irregular verb.

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Present

I
remake 
you
remake 
he/she/it
remakes 
we
remake 
you
remake 
they
remakes 

Present Continuous

I
am remaking 
you
are remaking 
he/she/it
is remaking 
we
am remaking 
you
are remaking 
they
is remaking 

Past simple

I
remade 
you
remade 
he/she/it
remade 
we
remade 
you
remade 
they
remade 

Past Continuous

I
was remaking 
you
were remaking 
he/she/it
was remaking 
we
was remaking 
you
were remaking 
they
was remaking 

Present perfect

I
have remade 
you
have remade 
he/she/it
has remade 
we
have remade 
you
have remade 
they
has remade 

Present perfect continuous

I
have been remaking 
you
have been remaking 
he/she/it
has been remaking 
we
have been remaking 
you
have been remaking 
they
has been remaking 

Past perfect

I
had remade 
you
had remade 
he/she/it
had remade 
we
had remade 
you
had remade 
they
had remade 

Past perfect continuous

I
had been remaking 
you
had been remaking 
he/she/it
had been remaking 
we
had been remaking 
you
had been remaking 
they
had been remaking 

Future

I
will remake 
you
will remake 
he/she/it
will remake 
we
will remake 
you
will remake 
they
will remake 

Future continuous

I
will be remaking 
you
will be remaking 
he/she/it
will be remaking 
we
will be remaking 
you
will be remaking 
they
will be remaking 

Future perfect

I
will have remade 
you
will have remade 
he/she/it
will have remade 
we
will have remade 
you
will have remade 
they
will have remade 

Future perfect continuous

I
will have been remaking 
you
will have been remaking 
he/she/it
will have been remaking 
we
will have been remaking 
you
will have been remaking 
they
will have been remaking 

Conditional of the irregular verb [remake]

Causality (also referred to as causation or cause and effect) is influence by which one event, process, state or object (a cause) contributes to the production of another event, process, state or object (an effect) where the cause is partly responsible for the effect, and the effect is partly dependent on the cause. In general, a process has many causes, which are also said to be causal factors for it, and all lie in its past. An effect can in turn be a cause of, or causal factor for, many other effects, which all lie in its future.

The conditional mood (abbreviated cond) is a grammatical mood used in conditional sentences to express a proposition whose validity is dependent on some condition, possibly counterfactual.

English does not have an inflective (morphological) conditional mood, except in as much as the modal verbs could, might, should and would may in some contexts be regarded as conditional forms of can, may, shall and will respectively. What is called the English conditional mood (or just the conditional) is formed periphrastically using the modal verb would in combination with the bare infinitive of the following verb. (Occasionally should is used in place of would with a first person subject – see shall and will. Also the aforementioned modal verbs could, might and should may replace would in order to express appropriate modality in addition to conditionality.)

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Conditional present

I
would remake 
you
would remake 
he/she/it
would remake 
we
would remake 
you
would remake 
they
would remake 

Conditional present progressive

I
would be remaking 
you
would be remaking 
he/she/it
would be remaking 
we
would be remaking 
you
would be remaking 
they
would be remaking 

Conditional perfect

I
would have remade 
you
would have remade 
he/she/it
would have remade 
we
would have remade 
you
would have remade 
they
would have remade 

Conditional perfect progressive

I
would have been remaking 
you
would have been remaking 
he/she/it
would have been remaking 
we
would have been remaking 
you
would have been remaking 
they
would have been remaking 

Subjunktiv of the irregular verb [remake]

The subjunctive is a grammatical mood, a feature of the utterance that indicates the speaker's attitude toward it. Subjunctive forms of verbs are typically used to express various states of unreality such as: wish, emotion, possibility, judgement, opinion, obligation, or action that has not yet occurred; the precise situations in which they are used vary from language to language. The subjunctive is one of the irrealis moods, which refer to what is not necessarily real. It is often contrasted with the indicative, a realis mood which is used principally to indicate that something is a statement of fact.

Subjunctives occur most often, although not exclusively, in subordinate clauses, particularly that-clauses. Examples of the subjunctive in English are found in the sentences "I suggest that you be careful" and "It is important that she stay by your side."

The subjunctive mood in English is a clause type used in some contexts which describe non-actual possibilities, e.g. "It's crucial that you be here" and "It's crucial that he arrive early." In English, the subjunctive is syntactic rather than inflectional, since there is no specifically subjunctive verb form. Rather, subjunctive clauses recruit the bare form of the verb which is also used in a variety of other constructions.

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Present subjunctive

I
remake 
you
remake 
he/she/it
remake 
we
remake 
you
remake 
they
remake 

Past subjunctive

I
remade 
you
remade 
he/she/it
remade 
we
remade 
you
remade 
they
remade 

Past perfect subjunctive

I
had remade 
you
had remade 
he/she/it
had remade 
we
had remade 
you
had remade 
they
had remade 

Imperativ of the irregular verb [remake]

The imperative mood is a grammatical mood that forms a command or request.

An example of a verb used in the imperative mood is the English phrase "Go." Such imperatives imply a second-person subject (you), but some other languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let them (do something)" (the forms may alternatively be called cohortative and jussive).

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Imperativ

I
remake 
you
Let´s remake 
he/she/it
remake 
we
remake 
you
Let´s remake 
they
remake 

Participle of the irregular verb [remake]

In linguistics, a participle (ptcp) is a form of nonfinite verb that comprises perfective or continuative grammatical aspects in numerous tenses. A participle also may function as an adjective or an adverb. For example, in "boiled potato", boiled is the past participle of the verb boil, adjectivally modifying the noun potato; in "ran us ragged," ragged is the past participle of the verb rag, adverbially qualifying the verb ran.

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Present participle

I
remaking 
you
 
he/she/it
 
we
remaking 
you
 
they
 

Past participle

I
remade 
you
 
he/she/it
 
we
remade 
you
 
they
 













Irregular verbs